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Origem: Aebn
Many who read the 1954 erotica classic The Story of O have longed to see a film adaptation. Director Ernest Greene is a fan of the novel, so much so that he decided to make what he calls a “fan fiction.” Greene has teamed up with Adam & Eve to make his cinematic ode to that naughty woman known only as O. The Surrender of O is also a sequel to Adam & Eve’s 2006 release, O: The Power of Submission, which starred Carmen Luvana in the title role. This time, it’s Bree Olson who fills the cuffs and collar of the most infamous kinky woman of the modern era. Carmen is of course a sexy woman, but Bree turns out to be a more believable sub, much softer. Fetish flicks are often gorgeous to look at – that’s part of the appeal – but Bree brings more glamour to the genre every time she makes a kinky movie. On the box cover, she sports blonde bedhead hair that calls to mind Brigitte Bardot. She’s delicious enough to eat in what already looks like an iconic photo. It’s easy to see why this new release is being hailed as an instant classic.
The legendary Nina Hartley, a frequent collaborator with Greene, dons a black bob wig to play Mistress Marie, who teams up with Mistress Nicole (Nicole Sheridan) to put O through a gauntlet of pleasure and pain. Caged and cuffed, O is doing a photo shoot of herself masturbating. When the dommes catch her, O knows she’s in for it – she gets on her knees and puts her hands behind her head as soon as the cage is opened. As Marie introduces O to Nicole, the lovely sub immediately kisses the mistress’s sexy feet. Nicole admires O’s training. “She’s a very naturally wet girl, too,” Marie explains, striking O’s tits, thighs, and ass with her crop. Clever O asks if she can finish what she started, since she’s going to be punished anyway, and Marie agrees, so that Nicole can see her put on a show. The mistresses watch O squirm while she tries not to cum, though they do their best to bring her closer to orgasm by slapping her tits and thighs. Soon she’s begging Marie to let her cum. Once permitted, O explodes into a squealing, shaking orgasm. Now Marie and Nicole get to the business of punishment. The next thing we see is a suspended, inverted O with her head between Nicole’s legs. Marie uses a vibrator and other toys on the beautiful slave while O’s skilled tongue makes Nicole pant and scream. Nicole encourages and praises O as Marie starts rubbing the sub’s clit while fucking her with the dildo. O screams that she wants it to hurt – and the harder Marie pounds, the more Nicole slaps O’s tits, the more the pain slut gets off. Next, Marie makes the gloriously nude O stand and ride a pole-mounted dildo while both mistresses flog her. Breast lovers, the sight of those perfect tits bouncing and quivering with each strike of a flogger might have you climaxing too soon, but try and hang on, because it gets even more erotic. The wicked dommes strap O to a table so tightly she can barely wiggle, and out comes the fucking machine. The sight of O helplessly getting fucked and fondled is almost too hot to bear, and Nicole takes it to the limit when she makes O strain to lick her pussy. If you can hold on, you’ll get to see O ride another machine while she uses that gifted tongue on Nicole’s asshole and on Marie’s boots. Let’s just say you’ll probably be watching this scene more than once to see the end.
After playtime ends, O and Marie have a chat. We find out that O is a photographer who’s lost her edge ever since Ray (whom we met in the first movie) left for Berlin with someone else. Marie decides to make O a rare offer to stay at “The House,” where she can live totally immersed in the BDSM lifestyle. Marie warns O that she might see Steven again. Steven is Ray’s brother, who fell for O, but she broke his heart. O isn’t sure she wants the drama, but decides to accept the invitation. When she gets to the house, Rita (Mika Tan) and Regina (Kayden Kross) suit her up to be a “house girl” and fill her in on how things work. The girls show O the catalogue of house girls, which includes photos and lists of strengths (O gives “great blow jobs”), and tell her that she can date clients off the clock, but the staff is off limits. Then it’s time for dinner.
Regina gets a client (Erik Everhard) who chains her to a bed and shaves her pussy before licking her all over, all of which really does it for her. He rubs lube on her feet and gets a footjob. Kayden isn’t as natural in the role of sub as Bree, but she makes it incredibly hot and you’ll certainly buy it, especially as she so clearly enjoys getting eaten out while bound. After she cums, Erik frees her so she can suck his thick cock. O walks in with a flogger on a tray. The client recognizes O, has heard she’s good with a whip, and he talks her into using it on her fellow house girl. “Get behind her and really get into it.” Oh, she gets into it, all right. As she flogs Regina’s ass, O’s left hand slips into the convenient slit over the crotch in her minidress. The client waves O away eventually, but O is a voyeur who backs out slowly and reluctantly, hand still on her clit. The client fucks Regina in various ways, fast and slow, until she’s begging for his cum, which he gives her across the face.
Later, O has the misfortune to walk in on a session between Steven (Evan Stone), Rita, and another house girl (Ava Rose). Things only get worse when Ray (Tommy Gunn) shows up later for a session with Regina and another house girl (Claire Adams). O tries to put on a brave face, but Rita alerts Marie to the new girl’s troubles. Marie feels guilty about her urges to meddle on behalf of O and her long-lost sweetie, but do you think that’s going to stop a tricky domme from playing matchmaker in the end?
You’ll have to view the extra scenes if you want to find out what happens (and you sure don’t want to miss the incredible girl-on-girl action in the final scene). Ultimately, The Surrender of O is that rare fetish flick with a plot you might end up caring about… almost as much as you’ll care about the smoking hot action.